‘Lost’, ‘Grey’s’ Finales Extended
Posted on April 12, 2008
In a surprising turn of events, both Lost and Grey’s Anatomy have been given an extra hour’s worth of screentime to close their current seasons, according to various sources close to ABC.
Lost showrunners Damon Lindelof and Carlton Cuse, not wanting to cram so many big reveals into two hours, apparently volleyed for the fourteenth episode to make the finale three hours long to do the fans justice. ABC granted their request, and consequently, the second and third parts will air together, much like Season 1’s “Exodus” three-parter did.
However, because no two-hour slot is available on May 22, what with Ugly Betty and Grey’s Anatomy airing their respective finales on that night from eight to ten, Lost’s end to the fourth season will be shown the following week, on May 29. The first part has been slated for May 15 — two weeks earlier. An encore of that episode will be shown prior to the final two hours.
As a result, due to there now being an empty hour at 10PM on the 22nd that needs filling, ABC has decided to give Grey’s Anatomy a two-hour finale on that night. Darn good if you watch both shows, if you ask me.
‘Supernatural’, ‘Smallville’, More Renewed
Posted on March 4, 2008
Fans of Supernatural can rest easy, as it was announced yesterday that the CW is picking it up for a fourth season. The cult hit has managed to maintain ratings around the three-million mark despite airing in the dreaded Thursday slot alongside CSI and Grey’s Anatomy.
Also renewed are Smallville, which will be returning for its eighth season, freshman series Gossip Girl, Chad Michael Murray’s One Tree Hill, comedy Everybody Hates Chris, and reality show America’s Next Top Model. No news on Reaper or Aliens in America yet, though.
The network also released a statement revealing its plans to merge its drama and current programming departments — meaning that the comedy division will be shut down. Twenty-five employees were let go on Monday afternoon.
“The CW is restructuring some programming and marketing functions as part of an effort to streamline both areas,” they said. “In programming, the current and drama development departments will work together in a combined group that will include current programming in addition to scripted development.”
ABC Renews ‘Dancing’, Four More Realities
Posted on February 29, 2008
Reality shows Dancing with the Stars, Supernanny, Wife Swap, Extreme Makeover: Home Addition, and America’s Funniest Home Videos have been renewed for next season by ABC.
This comes after the network gave early pickups to Lost, Grey’s Anatomy, Desperate Housewives, Ugly Betty, Brothers and Sisters, Pushing Daisies, Private Practice, Samantha Who?, and Dirty Sexy Money earlier this month.
Meanwhile, the PaleyFest has added Bones, Moonlight, and Kyle XY to their line-up, with their new leg starting on March 28. Tickets will be available on March 14.
ABC Reveals Post-Strike Schedule
Posted on February 20, 2008
After Fox unveiled its post-strike schedule earlier today, ABC decided to follow suit and outline its spring schedule for the rest of this season. On April 24, Grey’s Anatomy returns to its familiar Thursday 9PM timeslot with Ugly Betty as its lead-in, while Lost is set to move one hour later to 10PM. All three shows have five original episodes planned. The network hasn’t decided when to air the remaining episodes Eli Stone, which currently holds the 10PM timeslot and averages a 3.3 rating.
Away from Thursdays, Desperate Housewives is back on April 13 with five fresh episodes, including a two-hour finale, while Brothers and Sisters comes back the following week with four. Dates for Samantha Who? (April 7) and Boston Legal (April 8) were also announced, both with six fresh episodes planned. ABC also confirmed that freshmen series Private Practice, Pushing Daisies, and Dirty Sexy Money will all be relaunched in the fall.
There was no word on whether Men in Trees or Women’s Murder Club will return or not.
Meanwhile, CBS has announced that How I Met Your Mother and The Big Bang Theory, due back on March 17, will swap timeslots. Big Bang has consistently beaten Mother in the ratings this season and will now take the 8PM timeslot with Mother on half an hour later.
WGA Strike Over
Posted on February 13, 2008
After fourteen long and hard weeks, WGA members have voted to end the strike that started all the way back in November 5, with a resounding 92.5% for it (some 3,500 for and 283 against). This vote comes after the WGA announced that they had a tentative deal with the AMPTP over the weekend. The deal is set to be ratified within the next ten to twelve days.
“The strike is over”, said WGA West president Patric Verrone in an LA press conference. “Our membership has voted and writers can go back to work. This was not a strike we wanted but one we had to conduct in order to win jurisdiction and establish appropriate residuals for writing in new media and on the Internet.”
The deal will see specific residual rates in new media for the writers. They are set to receive 0.36% for the first 100,000 television show downloads for Internet sales, and 0.7% afterwards. And for episodes streamed on an ad-supported website, 2% of residuals will go towards the writers after the initial streaming window is closed.
Now that writers are going back to work as early as today, what does that mean for your favourite shows? Well, rejoice if you’re a Lost fan. Producer Carlton Cuse told Variety, “We’ll have to compress some of the storytelling we planned for this season, and that may not be a bad thing. Damon and I feel like we know how we can finish it off and still make it a really, really great story.” An extra five episodes are likely to be filmed, ending the fourth season with thirteen. Not too shabby.
Most of the veteran shows are set to be going back into production too, including the CSIs, Desperate Housewives, Grey’s Anatomy, House, Smallville, and Supernatural with an estimated four to six episodes for each. Heroes, however, will wait until the fall to launch its third volume entitled ”Villains”. Prison Break’s future has not yet been determined, while the seventh season of 24 looks like it’ll be launching on January 2009. Half-hour comedies like 30 Rock and How I Met Your Mother have the advantage of being able to shoot potentially up to nine or ten episodes before the season ends.
A lot of the freshman programs, though, will be saved for a relaunch in the fall, Pushing Daisies (whose renewal for the second season was announced last week by ABC), Dirty Sexy Money, and Chuck being the main ones. Gossip Girl and half-hour long The Big Bang Theory are the two confirmed exceptions right now. Bionic Woman, Big Shots, and Journeyman amongst a few others aren’t expected to shoot any new episodes ever. In one word, “axed”.
With the time it takes to write, film, and produce, post-strike episodes will probably air during April and May — in time for the May sweeps.
Photo by Brad Herman
The Aftermath: Your Comments
Posted on February 9, 2008
Because the countdown attracted a small amount of interest, I see no harm in showing some of the reader questions and comments I received (primarily from responses to entries in my personal blog).
It looks like you know what you’re talking about in regards to the telly. I wish I had enough spare time and patience. – Scott
Patience is a fickle thing. I mean, I endured the whole seventh season of Gilmore Girls (and was rewarded with a couple of diamonds in the rough), but couldn’t last more than a few episodes of Bionic Woman. Most of the time, though, it’s not really patience. It’s more that I enjoy what I’m watching, getting past the fact that there will inevitably be bad episodes from time to time.
I love Gilmore Girls. Great show, not to mention Alexis Bledel is smokin’. Smallville has lost some of its thunder, but it’s still hot, especially the new season like Clark and Lana making the world shake [during sex]. – Vincent
By now, you know where I stand on Gilmore Girls, so I’ll move onto Smallville. Being honest, I’ve not been impressed with its latest season. Season 6 was pretty solid overall with the introduction of the Green Arrow (and having Lex finally showing signs of going into the dark side), as well as some great episodes in “Reunion”, “Justice”, and “Freak”, but now it feels like the writers are running out of ideas. All of a sudden, we have a gazillion Kryptonians, and I still think Lana’s outstaying her welcome with no importance other than to delay Clark’s step to becoming Superman. I don’t find it at all surprising to see that the show has hit series low ratings this time, either. Each to his own, though. It’s great to see that you’re still enjoying it.
(Re: #13 – All Hell Breaks Loose, Part I) How great to have Supernatural come in at lucky thirteen! So well deserved, of course. I’d have picked “In My Time of Dying”, “What Is and What Should Never Be”, and “All Hell Breaks Loose, Part II” amongst my favourite episodes, but in reality, all of them are great. Yes, Jensen Ackles is phenomenal [when Sam dies], but you ain’t seen nothing if you haven’t seen the rest of his amazing performances as Dean Winchester. This truly is the role he was meant to play, and he finally has the writing support to showcase what an amazing actor he is.
The beauty of this show is how every episode gives us action, drama, horror, and great brotherly insights, and then every so often, they throw in these deeply moving, very emotional angst moments that take your breath away and reveal even more about the Winchesters. Jensen and Jared [Padalecki] are mesmerizing, accomplished actors, and the writers of Supernatural give them the material to consistently knock it out of the ballpark. Supernatural is the best show on TV, and everyone needs to tune in and see what they’ve been missing. – bjxmas
This is what I mean when I say Supernatural has some of the most devoted, passionate, and crazy fans I’ve ever seen (this isn’t a dig – I’m rather jealous, because there isn’t a show that I’m just as fond as you are for Supernatural). You’ve summed up the show surprisingly well, though, behind all the gushing praise (whether it’s deserved or not, that’s up for debate…I’ll shut up now before I get shot). It excels in a lot of areas, and is genuinely creepy at times. Sure, the dialogue is occasionally clunky and Jared Padalecki’s acting is a little weak at times (…and I think I’ve signed my death warrant), but that’s not enough to keep me from looking forward to each episode every week. I totally agree that the writers do an excellent job at continuing to make the brotherly bond really genuine and heartfelt. “A Very Supernatural Christmas” is the perfect example.
For the record, “In My Time of Dying” is a 2006 episode. If it were a 2007, I’m sure it’d make my top ten. Speaking of my top ten, you must be delighted that “What Is and What Should Never Be” ended up with such a lofty position, and even more so that I’ve credited Jensen Ackles so much in that particular commentary that I’m starting to sound like you.
(Re: #16 – My Musical) “Lack of depth, emotion, and storytelling”… WTF? Every episode is built on all three? Am I misunderstood? – themovi3nut
Now, there’s two ways of interpreting your question. I’ll assume you’re sane and pretend you asked, “wait, are you being silly and stating that each Scrubs episode is built on depth, emotion, and storytelling?” I was merely comparing Scrubs’ musical with Buffy’s. Scrubs is a comedy through and through, so one wouldn’t expect it to produce a musical anywhere near on the same level as “Once More, with Feeling”. But like I said, “My Musical” isn’t meant to be compared to it – dare I say, the pinnacle of one of the greatest series ever (that’s right, not “Becoming, Part II” or “The Body”!) – and I did compliment it a huge amount by providing excellent mindless fun and entertainment. If you had asked, “but wait, isn’t each Scrubs episode built on depth, emotion, and storytelling?” we’d be here all day as I have the inability to stop ranting.
Pushing Daisies is a great show and that episode was indeed worthy of a mention, but I am surprised not a single House episode made your list. I am particularly referring to the one with “Big Love” getting Cuddy’s panties. Great list, though. I definitely enjoyed reading through it. – Jon
Thanks for the compliment. I agree that “You Don’t Want to Know” (the House episode you were referring to) was particularly strong, but along with “Half-Wit”, “Act Your Age” (I’m a sucker for House-Wilson interactions), and “Alone”, they missed the cut. However, did you know that “Three Stories” topped my 2005 list?
It’s funny that Dexter is #1, because that’s the one show I didn’t recognise at first, but then I realised [the first season] doesn’t premiere until later [this month in the US]. – Tyler
You need cable! Showtime’s where Dexter’s at, unless we’re talking about the show’s terrestrial debut on CBS (which will undoubtedly be inferior with all the editing and cutting due to swearing and nudity). So yeah, you need cable, because I’m confident that the original, uncensored episodes will remain far, far superior.
(Re: #3 – Through the Looking Glass) That episode of Lost really was unbelievable. I bet the person in the casket is Charlie, but that would be kind of predictable. – Tish
Actually, I’d say the person in the casket would be boring, and the option not many people would be expecting because of that reason. Having seen the first two episodes of the fourth season, I’m willing to bet reasonable money that the deceased is someone amongst the “Oceanic Six”. Maybe he/she was driven to suicide because of the guilt at leaving “them” behind on the island – the very same guilt that has made Jack suicidal? As for “them”, I’m confident its Abbadon’s recruits (the four parachutists).
(Re: Top Ten) Well, since I don’t watch “TV” (I’m a kid at heart and watch Cartoon Network, The Simpsons, Family Guy, George Lopez, and anything else that looks interesting), I might as well comment with something interesting like: Two of these episode titles are by Guns ‘N Roses and Led Zeppelin respectively. But in all seriousness, Dexter sounds like a thrilling show. - Eddy
To anyone not in the know, Eddy’s referring to “Welcome to the Jungle” (Guns ‘N Roses) and “What Is and What Should Never Be” (Led Zeppelin). “Wishin’ and Hopin’” is a Dusty Springfield song, too, I believe. And yes, Dexter is awesome.
(Re: #5 – Company Man) Good choice on the Heroes episode. It wasn’t my favourite from the whole season, but a tense and exciting episode nonetheless. – Paul
My main beef with Heroes – even though it’s a great show on the whole – is that it’s split up into so many initially unrelated sub-plots. What I neglected to say in my commentary for “Company Man” was that another reason why I loved it so much was because it spent the entire duration on one storyline. The attention the Bennets received really showed. That’s not to say the other episodes are bad and lacking depth – that’s certainly not the case – but there’s a real difference. Also, if there’s a sub-plot that you’re generally not interested in (e.g. Hiro searching for the sword; Simone in general), that’s obviously going to negatively impact your impression of the episode, depending on how much screentime and how little advancement these stories get within that timeframe. Of course, the advantage of having many of these sub-plots running beside each other is that storylines tend to progress faster (unless they’re filler).
On the other side of the coin is Lost. That particular show has undergone a lot of criticism in the past for not progressing the story fast enough or not answering enough questions. As I’m sure you’ll know even if you don’t watch the show, each character tends to get an episode to themselves before the spotlight moves onto the next the following week. Quite the opposite of what Heroes does, but the key to why Lost beats it in character development. To summarise? Both storytelling techniques have their strengths and weaknesses.
(Re: Top Ten) I liked the third episode a little bit more than the first for Pushing Daisies myself, but I picked the pilot for my [own top ten list of 2007 episodes], because I thought it was an original concept, and it was a more refreshing experience, since it was the first episode. “Wishin’ and Hopin’” was a great episode of Grey’s Anatomy, and “Company Man” from Heroes came so close to making my top ten as well. As for #3 and #1, you know I loved those. I just realised that my #1 was third on your list, and my #3 was first. That’s pretty cool! – Anthony
Just in case any of you were curious, his #2 was 24’s 9–10AM hour (at #11 on my list), #4 was Heroes’ “Landslide”, #5 was “Rosemary’s Baby” of 30 Rock, #6 and #7 were “The Deposition” and “Local Ad” respectively from The Office, #8 was Prison Break’s “Sweet Caroline”, #9 was “Crash Into Me, Part I” from Grey’s (my #25), and #10 was Pushing Daisies’ pilot, “Pie-lette”.
A man after my own heart, it seems.
Top 30 Television Episodes of 2007: 10-1
Posted on January 24, 2008
10. Gossip Girl – The Wild Brunch (Season 1, Episode 2)
“The Wild Brunch” is proof that you don’t need a whole season to establish a bunch of characters who are likeable and full of depth. After just two episodes, I already find myself hooked on the show and deciding who I like and who I hate. “Hate” is such a strong word, though, because each character falls in the grey area, even if some are in it deeper than others. The usually innocent Jenny reeks of desperation as she tries to be accepted into Blair’s posh inner circle, whereas Serena genuinely wants to make amends for running away all those months ago after she slept with best friend Blair’s boyfriend. Even the misogynistically portrayed Chuck has a more vulnerable side behind his scheming and constant lust for girls. Though all the punches, spilled secrets, and top-notch drama – that happens before we even hit noon, by the way – is fantastically engrossing in its own way, it’s surprising that we care so much about these core characters after such a short amount of time.
9. Entourage – Welcome to the Jungle (Season 4, Episode 1)
Just when you thought Entourage might have peaked too early after a disappointing second half of Season 3 (this seems to be a trend – Grey’s, I’m looking at you), they pull it all back in the premiere of their latest season with a terrific, refreshing twist. Set as a behind-the-scenes documentary, the episode sees actor Vince, first-time producer Eric, and eccentric and incredibly foul-mouthed director Billy Walsh shoot Vince’s latest film, Medellin. From Billy’s procrastinating to Drama’s three seconds of fame in the climax of the movie, “Welcome to the Jungle” is packed full of laughs and definitely well worth watching, even if you’ve never seen an Entourage episode before.
8. Pushing Daisies – The Fun in Funeral (Season 1, Episode 3)
For those who don’t know, Pushing Daisies is about Ned, a pie-maker whose touch can bring the dead back to life. As Jim Dale puts it, “First touch, life. Second touch, dead again. Forever.” This gift comes with a second rule, that if the ‘living dead’ is not put back to rest after sixty seconds, someone else will take their place. And so, in the critically acclaimed pilot, after he couldn’t bring himself to put his childhood sweetheart, Chuck, to rest permanently, the funeral director ended up in the obituary. Unusual as it may be, since I haven’t seen it appear in any other 2007 list, I actually preferred “The Fun in Funeral”, in which Chuck discovers the sacrifice for her second life (”accidental involuntary manslaughter” – ha!). Don’t get me wrong, the pilot was one of the most original I’ve seen in a long, long time, but this particular episode trumps in comedy, heartfelt moments, and styIe. What better to emphasize the totally awesome fairytale-esque setting by having Ned get into a Jedi fight and end up victorious, dressed like Chuck’s Prince Charming with a big ass velvet curtain wrapped around him like a toga?
7. Grey’s Anatomy – Wishin’ and Hopin’ (Season 3, Episode 14)
If you recall what I said in my commentary for “Haunt You Every Day” (#17), you’ll notice that I called it the “best episode of Grey’s since mid-Season 3″. Now I’m saying that “Wishin’ and Hopin’” is the best episode of Grey’s since the Season 2 finale. (Oh, Denny. We still miss you.) Here, Meredith’s mother, who has Alzheimer’s, wakes up lucid. Though this may be good news for some, even if it is just temporary, Meredith has to endure her mother’s harsh words that she’s a disappointment and nothing more. Meredith takes the rest of the episode to gather up the strength to respond to her, telling her that she hopes that maybe in five years time, there will be a cure. “And you and I will have another chance to get to know each other. You’ll have a chance to get to know me – to see that I am not even remotely ordinary.” “You remind me of my daughter”, the once great Ellis Grey replies. Sniff, I hate this show sometimes.
6. Supernatural – What Is and What Should Never Be (Season 2, Episode 20)
All you Jensen Ackles fans who got high after reading my praise for him in “All Hell Breaks Loose, Part I” (#13) can prepare themselves for another dose, because he is equally stellar here. “What Is and What Should Never Be” sees Dean in an alternate reality – one where his mother didn’t die that terrible night. Also in this world, Jessica is alive and well, and Sam, bless him, is a wimp and doesn’t know a thing about hunting. Every time Dean got himself attached to this reality, I couldn’t help but feel sorry for him. When he hugged his mother in relief, when he was genuinely happy after Sam and Jessica announce their engagement, even when he was doing something simple like mowing the lawn and appreciating being normal, though I was happy for him, I dreaded the moment he snapped back into the real world. I’m not exaggerating when I say that Ackles pretty much nails each scene brilliantly. And when Dean realises he has to go back – dammit, Jensen – that was heartbreaking.
5. Heroes – Company Man (Season 1, Episode 17)
To sum up “Company Man” in one sentence, it’s an episode Lost would be excessively proud of, and that’s saying a lot. Flashbacks detailing the mysterious and ambiguous Mr. Bennet’s life working for the Company are interweaved with present day events, where Matt and radioactive Ted take the whole Bennet family hostage, believing that the man with the horn-rimmed glasses holds the key to their powers. But, underneath the hard front HRG has been putting on – attempting to execute invisible Claude, amongst other shady actions – he’s ultimately a family man. He loves Claire as if she really is her biological daughter, and he shows that at the end of the episode in a really touching and teary moment, where he’s prepared to go to incredible lengths and get shot with part of his memory wiped to ensure her safety. Even without the heart-wrenching scenes that “Company Man” pulls off, the episode is packed of incredibly intense drama (the standoff where Matt shoots Claire stands out amongst other almost equally exciting scenes) and superb special effects, especially for television.
4. Veronica Mars – The Bitch Is Back (Season 3, Episode 20)
Everything comes full circle in Veronica Mars‘ swansong. Veronica’s reputation is tarnished once again after someone secretly filmed and released a sex tape of her and Piz, and her father (Enrico Colantoni at his best) returns to being a nobody, having destroyed evidence and effectively lost the sheriff race to protect his daughter. I’ve been vocal about Veronica Mars‘ sub-par final season, but her seething hunt to find who was guilty for that tape was riveting. I can’t have been the only one who was stunned when she came across that massive portrait painting of Lily. Who knew the case would end up with the Kanes? That, and Veronica confronting the ever-so-optimistic Dick were some of the highlights not just of the episode, but of the entire season too. But the show ends focusing on Keith and Veronica’s close father-daughter relationship – which has remained one of the best aspects throughout – and the final shots of Veronica pointlessly voting for her father at the ballot and walking away in the rain is nigh perfect.
3. Lost – Through the Looking Glass (Season 3, Episodes 22/23)
The Futon Critic two weeks ago listed this episode as its number one of 2007. Though it fell a little short of achieving the same feat with me (that said, its #3 placement should be more than enough to show how much I loved this episode), he accurately sums up why the season finale was so darn impressive: “In my first look at the show in 2004, I talked a lot about how it was rare to find a show that tickled your imagination, that pushed the boundaries of what you think television can and can’t do. This episode – nearly three years later – touched on those exact same feelings. After all, could you believe that they would actually get off the island at the end of season three – let alone not realize you’d already spent two hours exploring Jack’s post-island experiences?” Couldn’t have put it better myself, Mr. Futon. Who was in the casket? Who was Kate going back to? Why does Jack’s life suck so much after they get off the island? And that’s on top of Charlie’s predicted death, which was executed incredibly well. His last act was passing on a message to Desmond, “NOT PENNY’S BOAT“, which of course, raises the question that if it’s not Penny, who is coming ashore? It’s not long now before Season 4 arrives, and I for one can’t wait for it.
2. Chuck – Pilot (Season 1, Episode 1)
This may be a bold statement, but I’m willing to say that the pilot episode of Chuck is right up there with Lost’s back in 2004. I didn’t know what to expect going into this show, yet by the end of the hour, I had no other words than, fittingly, “awesome” (as my sister will attest to). Dammit, any pilot that makes me shout “holy crap” out loud while giggling like a toddler deserves to be in my top three! Entertaining, full of laughs, yet touching, Chuck hit all the right notes. Not only is the title character a simple geek with no superpowers, weapons, or anything that gives him the upper hand against some of the most dangerous people out there – someone we can relate to – but the show is full of other quirky key characters (Adam Baldwin’s John Casey being my favourite – Baldwin delivers each line incredibly spot on). Though Chuck hasn’t come anywhere near to living up to my expectations after the pilot episode, first impressions were fantastic and more than warrants its high placement on the list. I tell you, you’d be hard-pressed to find another show that has the bumbling lead defuse bombs with porn.
1. Dexter – Resistance Is Futile (Season 2, Episode 9)
I could go on forever about how the episode carries some of the most suspenseful moments of the entire year on television. I could talk about how it continually manages to be funny, an impressive feat for a show about a serial killer. But it takes just five minutes at the end to shoot a top ten episode up into the number one slot. Let’s not beat around the bush here, the protagonist is a vigilante murderer, an antihero. Granted, he only kills fellow murderers who have escaped the law, but the fact still remains that he’s a killer, something you can’t justify. Yet, at the same time, Dexter (the always sublime Michael C. Hall) is very much a likeable character, and one who’ve we rooted for since the pilot.
Where do our loyalties lie, then, when Doakes (excellently played by Erik King) – a hard-working member of the police force and arguably the one in the “hero” role here – finally finds out the truth about Dexter, catching him red-handed with a victim’s body parts, and has him at gunpoint? Who do we cheer on? How are we supposed to react? In those few moments, I didn’t dare turn away from the television. In those few moments, I didn’t even try to predict what would happen; I just wanted to watch. And when Dexter – after being shot in the leg – gets his co-worker in a sleeper hold and imprisons him in a cage, when Doakes wakes up as Dexter runs out and shouts at the top of his lungs, “YOU’RE GONNA HAVE TO FUCKING KILL ME, MORGAN”, each day you wait for next week to come becomes so bloody slow.
Top 30 Television Episodes of 2007: 20-11
Posted on January 16, 2008
20. Gilmore Girls – To Whom It May Concern (Season 7, Episode 12)
I’m going to risk being mobbed by all the fans here and say that I never really got into Gilmore Girls. Too many annoying minor characters to take the show seriously. It probably isn’t a coincidence that one of the rare few episodes that I loved saw no Lane, Michel, or Kirk. Then again, it might have been the fact that Christopher finds Lorelai’s character reference for Luke, the one that had her spewing all the qualities she sees in Luke that she wishes to see in her husband. A heartbroken Christopher quite rightly states that it read “almost like a love letter”. In addition, “To Whom It May Concern” achieves an unprecedented first for the show by making the wait for next week’s episode excruciatingly slow after Richard’s unexpected collapse during one of Rory’s lectures.
19. Smallville – Freak (Season 6, Episode 15)
A lot of people have been raving about “Justice” being the highlight of Season 6. While I agree it was a terrific hour of entertainment (with the Flash, Aquaman, Cyborg, Green Arrow, and Superman all banding together to take down 33.1, how can it not be awesome?), my personal highlight was “Freak”, Michael Rosenbaum’s debut as a director and a Chloe-centric episode in which she discovers that she’s the very thing she used to document on her very own Wall of Weird: a meteor freak. Better paced and filled with more tension – Clark heat-visioning you? Triple ouch – “Freak” serves as key groundwork for the season finale at the dam. It’s also an increasingly rare episode where Lana Lang becomes surprisingly likeable for one week. Rosenbaum, sir, you are a genius.
18. How I Met Your Mother – Spoiler Alert (Season 3, Episode 8 )
Remember when I said “Showdown” (#22) didn’t quite reach the level of “Slap Bet”? That missing ingredient can be found right in “Spoiler Alert” – an episode about bad habits and how you generally don’t notice them until someone points it out to you. Though this particular half-hour may not have mustered as many laughs as Barney’s foray into The Price Is Right did, it doesn’t rely on Neil Patrick Harris. It’s an impressive ensemble episode that is very reminiscent of “Slap Bet”. Everyone has their moments – from Marshall singing to Lily inexplicably and ridiculously loud munching with candyfloss (and Ted’s priceless irritation) to Barney being Barney – and it’s episodes like these where I absolutely love the show. To me, How I Met Your Mother is much more than how Ted meets his future wife. It’s about a group of close friends living their lives together, and “Spoiler Alert” demonstrates this perfectly.
17. Grey’s Anatomy – Haunt You Every Day (Season 4, Episode 5)
By far the best episode of Grey’s since mid-Season 3, and one we’ve been waiting for an incredibly long time. Folks, this was the moment when the show regained its mojo and came close to achieving the same standard as they did with Season 2. (We still miss you, Denny.) The way Meredith put her mother to rest with the Chief at the end of the episode by rinsing her ashes down an OR sink was incredibly moving and the perfect farewell to Ellis Grey. Couple that with some great humour (Olivia forming a “Nurses United Against Mark Sloan” club – haha), and yeah, I stand by my initial comment and believe that this compares to Grey’s sophomore season. Even the subplots pack plenty of drama and laughs, from Ava’s bittersweet return to George and Izzie’s drunken sex finally made public. The show just needs to be a little more consistent now.
16. Scrubs – My Musical (Season 6, Episode 6)
“My Musical” doesn’t come anywhere near to Buffy the Vampire Slayer’s “Once More, with Feeling”, an episode that I regard as one of my favourites of all time. But to compare the two is like apples and oranges, and anyone who watched this expecting it to be on the same ridiculously high level should be more aware how different these two musical episodes are. Put simply, Scrubs makes up for the lack of depth, emotion, and storytelling by providing half an hour of pure entertainment. It’s just great, mindless fun that you can watch over and over again without getting bored. It does border on being outrageously silly at times with “Ev’rythin’ Comes Down to Poo”, but the third act really does steal the show with the hilarious “Guy Love” and the upbeat group finale “Friends Forever”. Fantastic performance by Stephanie D’Abruzzo as the lead patient, and kudos to writer Debra Fordham for making the daring project a success.
15. CSI: NY – Snow Day (Season 3, Episode 22)
Let’s get this out of the way: I don’t watch a lot of crime procedurals. Yet somehow, CSI: NY blew me away with its surprisingly action-packed Die Hard-esque season finale. That’s right, I said “action-packed”, and yeah, I likened it to Die Hard. When drug lords infiltrate the entire building with guns galore and when it becomes Mac’s job to save the day almost single-handedly, how can you not make that comparison? The most impressive thing about this episode, though, is that it still manages to keep the CSI element amidst all the action, investigating who these men are and what they want. Add that to the fact that it doesn’t turn into Rambo and cleverly uses the whole scenario to sensibly develop characters and relationships, and you have one stellar episode that ultimately converted me into a regular CSI: NY viewer. A special mention goes to CSI’s seventh season finale, “Living Doll”, but it didn’t quite get my heart pumping as much as New York did.
14. Dexter – There’s Something About Harry (Season 2, Episode 10)
As if our favourite serial killer, Dexter Morgan, didn’t have enough worries on his mind, what with the whole Bay Harbour Butcher investigation going on and, of course, him holding the persistent Doakes captive in a cage after he discovered his secret. So, to find out gradually over the episode that his father had committed suicide because of his guilt in channelling Dexter’s dark tendencies into killing those who deserve it and in the end “creating a monster” must have been damn devastating for the antihero. James Remar really shines in his small recurring role as Dexter’s father. His shocked reaction when he came upon his son gleefully cutting up one of his earlier victims said it all. So did the puke that followed. (Ew.) It is during this episode that we are reminded that Dexter isn’t a normal person. He doesn’t have genuine feelings like the rest of the characters do, and this is not only supported by the suicide of Dexter’s father, but also by Doakes becoming completely unresponsive towards him when he kills someone practically in front of his eyes.
13. Supernatural – All Hell Breaks Loose, Part I (Season 2, Episode 21)
Hell doesn’t literally break loose in the first part of Supernatural’s season finale (that comes in the second!), but the cliffhanger of this otherwise transitional episode had me completely stunned: they freakin’ killed Sam Winchester. Of course, we know Eric Kripke doesn’t have the stones to permanently bid farewell one of the two brothers that make the show, lest the ever-so-rabid fanbase send death threats and whatnot to his mail (and I’m not exaggerating when I say that Supernatural has by far the most loyal, vocal, and crazy fans I’ve seen this decade, despite its modest viewing figures). But no one – no one who watched the trailer prior to the episode, of course – expected at all to see Jake actually deliver that killing blow. I’ve got to admit, Jensen Ackles had my throat dried up when his character was begging Sam to hang on. He never really stood out during his brief stint on Smallville, but he’s perfect here.
12. Lost – Greatest Hits (Season 3, Episode 21)
I’ve never really cared much about Charlie since mid-Season 1, so for one episode to come along and make me sympathise with him is definitely noteworthy. His admirable decision to accept his fate for Claire and the rest of the survivors was touching and towards the end of the episode when he swam into the Looking Glass, I was scared he was going to get killed. I was scared he would drown right at that point unceremoniously. That’s powerful television. A friend said to me right after the airing that Charlie’s main flaw prior to this sequence of events was failing to accept responsibility, and I couldn’t agree more. From drug addict and has-been rock star to one heck of a brave saviour, his journey on the island is now complete. Regardless of what happens in Season 4, Charlie will always be a hero in my eyes.
11. 24 – 9:00AM – 10:00AM (Season 6, Episode 4)
The fourth and final part in the two-hour season premiere back in January should have been in my top five. Curtis dying wasn’t a huge shock (the omission of the actor’s name from the main cast didn’t go unnoticed), but the fact that it was Jack who had to pull the trigger left quite a large impact on myself. Then, less than ten minutes later, there was the ultimate “holy fucking shit” moment, the moment that all of a sudden made me silent: a nuclear bomb actually went off in the middle of a populated area. And then, we were thrown another curveball, that there were four more of these motherfucking nukes out there. So why the heck did it miss the top ten? Retrospection. Instead of being a jaw-droppingly awesome episode that set the scene for a great season of 24, it became a jaw-droppingly awesome episode that led to mediocrity and the show’s worst season yet.
Top 30 Television Episodes of 2007: 30-21
Posted on January 8, 2008
30. Prison Break - Chicago (Season 2, Episode 16)
While Prison Break’s “Go” would have been in the running to be the top episode of 2006, a slightly weaker sophomore season followed by a hit-or-miss third means that their only appearance on this list is “Chicago”, which barely makes the cut. But that’s not to say this is a sub-par episode, because it isn’t. In fact, it’s got plenty of the same drama and suspense that got us hooked when Michael Scofield first got himself incarcerated at Fox River, as Michael and company try to escape the authorities’ grasp on a sweet train. You know they had to have a police car roadblock to smash through! And of course, this was the episode where mentally unstable Haywire became the third of the Fox River Eight to bite it. Our hopes of him in the unlikely event of making Amsterdam were shot down when Mahone persuaded him to jump.
29. Doctor Who - Blink (Season 3, Episode 10)
Admittedly, I don’t watch a lot of Doctor Who. I was a big fan in the short yet sweet Christopher Eccleston era, but once Rose Tyler left, I gave up on it. “Blink” turned out to be the best episode this year that I certainly didn’t intend on watching. In another Doctor-light forty-five minutes, Sally Sparrow – just your average person – finds herself trying to retrieve the TARDIS and survive against the Weeping Angels. Look away, and these Angels, seemingly ordinary statues, come to life. And once they touch you, they’ll chuck you back forty years, leaving you stranded in the 1960s. What “Blink” does right is make the atmosphere fittingly creepy. The old, dilapidated house, for starters, is the perfect setting for the final showdown, and it’s topped by chilling, suspenseful music as the unlikely hero and her boyfriend try to refrain from blinking, lest the Angels edge closer…and closer…and closer…
28. Gossip Girl - Roman Holiday (Season 1, Episode 11)
It’s been a while since I had a guilty pleasure, but Gossip Girl ticks all the boxes you could ask for in a teen soapy drama. Genuine characters? Check. Believable relationships? Check. Fights and stories that veer away from clichés? Double check. And “Roman Holiday” sums up everything I like about this show right now. Each character continues to have a surprising amount of depth. Blair (excellently played by Leighton Meester) in particular shines: on one end, she’s gutted that she can’t seem to get her father’s attention, yet on the other hand, her threat to Vanessa with cuticle scissors, telling her to back away from her best friend’s boyfriend, is totally awesome. Also worth noting are Serena and Dan, spending their first Christmas together, whose panic at finding the perfect Christmas present for each other is really endearing and shows how serious they are about this relationship, even though they come from completely different backgrounds.
27. Heroes - Cautionary Tales (Season 2, Episode 11)
With an exceptional team of writers, you would have banked Heroes on delivering an equally great sophomore season to follow up their first, but an uninspired and slow-paced first half left many loyal fans disappointed and criticising the direction of the show. Things did eventually take a turn for the better, though, and “Cautionary Tales”, the ninth of the eleven chapters in the second volume, was the epitome of the decent run of episodes that followed. This is the Heroes we want to see more of. Each subplot progresses a tremendous amount – from Hiro’s (and our) discovery that it was his personal hero, Kensei, who killed his father, to Mohinder fulfilling yet another Mendez painting when he actually shoots Bennet in the friggin’ eye! Oh, but it’s not over yet! The Company then uses Claire’s regenerative blood to revive him! What the heck!
26. Private Practice - In Which Sam Gets Taken For A Ride (Season 1, Episode 7)
Yadda yadda yadda, as interesting the mini-hostage situation was that Sam (yo, Taye!) found himself in, and as interesting as it was to see David Sutcliffe (Christopher on Gilmore Girls) making a guest appearance, I think you’re all missing the point as to why this episode squirmed its way into the thirty. So let’s run through it. Addison and Pete finally agree to a date. Cooper and Violet finally agree to sex (albeit casual with no strings attached, not the kind Cooper might want from the woman he fancies). But wait, by the end of the episode, it’s Sam and Naomi, divorced and bitter with each other, who end up getting some action. What’s up with that?! Hey…wait a minute. This is starting to feel like Grey’s Anatomy. And it’s good!
25. Grey’s Anatomy - Crash Into Me, Part I (Season 4, Episode 9)
Speaking of Grey’s, it seems that the show has bounced back from that blip at the end of last season. In the Mega Disaster of the Season™, an ambulance crashes into another right in front of Seattle Grace. What ensues is everyone crying their eyes out when Stan saves fellow paramedic Ray’s life, only to die before he can hear the Chief call him a hero. Also involved in the Mega Disaster of the Season™ is a white supremacist with a giant-ass swastika tattoo on his stomach, and faced with saving his life and saving her failing marriage, Bailey (who’s black) chooses to perform the surgery. Finally, Seth Green’s in it, which is awesome. Slightly underused, but still awesome. That screencap right there? His artery just blew, drenching intern Lexie with all his blood. Cue the “To Be Continued” card.
24. Day Break - What If He’s Free (Season 1, Episode 10)
Ah, Taye Diggs. We can’t get enough of you. I was disappointed when barely anyone stuck with Groundhog Day-influenced Day Break, leading to its demise, but let’s not dwell on the past. “What If He’s Free” continues what made the show worth watching. I honestly don’t recall another show in which the twists actually make sense as much as they do instead of using them for the sake of stirring things up and keeping the story interesting. For Day Break to come in and do that every week is bloody impressive. So, remember when Hopper’s landlord told him that the two plumbers still haven’t fixed the leak all the way back in the pilot? Turns out that they were Fencik and Buchalter. And the hostile lady artist whose address was found in Torres’ wallet? Well, she wasn’t the next target but actually the serial murderer’s sister. But the clincher was – even though Hopper solved Garza’s murder and was intent on watching the sunrise with Rita – the day repeated once more. The look on his devastated face said it all.
23. Supernatural - The Kids Are Alright (Season 3, Episode 2)
This is one creepy episode. “The Kids Are Alright”, no doubt taking some inspiration from Doctor Who’s “The Empty Child”, explores the lore of changelings. I don’t think I need to say much more other than to look at the screencap and imagine that thing tailing you around like a magnet, monotonously repeating, “mommy, can I have some ice-cream?” Believe it or not, there’s also some excellent humour embedded in this episode. See, while he’s in town, Dean visits a woman he had sex with eight, nine years ago. Now she’s raising a son who is also around that age. It’s not that original and it’s been done before in other shows, but I couldn’t help laughing the way this little kid shared the same love of heavy rock, the same hairdo, the same fashion sense – even the same mannerisms as Dean does. And if the creepiness and the humour combined still isn’t good enough for you, there’s more in the form of a massive reveal: Ruby’s a frickin’ demon!
22. How I Met Your Mother - Showdown (Season 2, Episode 20)
Neil Patrick Harris once again steals the show and more than deservedly earns an Emmy nomination with this episode as the sharply dressed Barney Stinson. Though the A-plot – Marshall and Lily trying to prove that they aren’t co-dependant and can sleep apart – was funny enough to keep me happy, Barney’s appearance on The Price Is Right, believing Bob Barker to be his father, had me laughing in stitches. His competitive nature and his determination to do his “father” proud were both endearing and absolutely hilarious at the same time. Sure, it didn’t quite reach the heights of 2006’s critically acclaimed “Slap Bet” (let’s go to the mall!), but it’s darn close. And whoever thought of the “night night” tape was an absolute genius.
21. Chuck - Chuck Versus the Truth (Season 1, Episode 8 )
I was let down by Chuck’s middle stint, so I was pleasantly surprised when “Chuck Versus the Truth” completely exceeded my expectations and turned out to be one of the funniest and most touching episodes yet. (Thankfully, since then, Chuck has managed to continue delivering solid episodes.) With Chuck, Sarah, and Casey all affected by truth serum, the story strikes a fine balance between humour (Chuck to Casey: “Your jaw was chiselled by Michelangelo himself.” Ha!) and developing Sarah’s hidden feelings for our leading man – finally confirming what we already know. Traditionally, these sort of situations get complicated with another girl, so who else than to cast Rachel Bilson of The O.C. to guest-star as the hot, quirky, loveable, and deli-owning Lou? Josh Schwartz, you’re the man.